The summer exhibition at Gripsholm Castle features 45 photographic portraits of male subjects by Dawid, one of Sweden’s leading contemporary photographers. In his works, he challenges established concepts and pushes the boundaries of photographic art.

Dawid, Kenta 1979.

Kenta, singer, diptych, 1979

20 May–27 August 2017
At Gripsholm Castle, Mariefred 

Dawid (Björn Dawidsson, born 1949) is one of Sweden’s leading contemporary photographers, known far beyond the country’s borders for his abstract, avant-garde photography. He made his debut in 1973, but his real breakthrough came a decade later with an exhibition entitled Rost (“Rust”) at the former museum of photography, now incorporated into Moderna Museet. Then, as later in his career, Dawid showed how something that appears commonplace – a bent, rusty nail – can be transformed into something unique and artistically expressive. In his subsequent works he has continued to challenge established concepts and to push the boundaries of photographic art.

Dawid is not known for his portraits. Now, with the first full-scale exhibition of these works, visitors have the opportunity to discover a previously unknown aspect of his art. According to Dawid, pictures of friends were the starting point for most of the portraits. In many cases, he has used the same silhouette-like imagery as in his other works. Some of the portraits are reinterpretations of colleagues’ images. In exceptional cases, such as his self-portrait, Dawid has abandoned the constraints of form and given free rein to emotions.

Running until 27 August, the exhibition is another instalment in Nationalmuseum’s series of presentations of contemporary Swedish photographers, which began in 2006 with portraits by Georg Oddner.

The National Portrait Collection at Gripsholm Castle

Gripsholm Castle is near the town of Mariefred, 70 kilometres west of Stockholm. Construction of the castle started in 1537 under King Gustav Vasa. Designed as a fortress for defence against foreign and domestic threats, it was obsolete from the outset and never served its intended purpose.

Over the centuries the castle has seen extensive changes, beginning in the late 16th century under Gustav Vasa’s son, Duke Karl (later King Karl IX). The most recent major renovations took place in the 1890s during the reign of Oskar II.

The castle’s architecture reflects a long history of changing styles, from the 16th-century Renaissance to the national romanticism of the late 19th century. Gripsholm also houses Gustav III’s private theatre.

Today’s visitors can experience 500 years of interior design through rooms and settings with period furnishings and art created for royalty.

Since 1822 Gripsholm Castle has been home to the National Portrait Collection, the oldest of its kind in the world, which now comprises over 5,000 portraits of Swedish men and women. Nationalmuseum has managed the collection since 1881.

Dawid, No 5001.1998

Thomas Wågström, 2015
Thomas Wågström, photographer, 2015


Art Library and Museum Archives,
Holmamiralens väg 2,
Skeppsholmen, Stockholm 

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