Tessin Lecture: Painting after Iconoclasm

Professor David Freedberg gives a lecture on Painting after Iconoclasm. Tuesday 7 September at 6 pm. Free admission.

PICTURE: The Feast of the Seagods, Frans Floris.

The Feast of the Seagods, Frans Floris.

David Freedberg gives a lecture on Painting after Iconoclasm: What happened to painting in Antwerp after 1566? Freedberg will focus on iconoclasm in the Netherlands, Antwerp in particular, and thereby questions concerning the relationship between art and politics. Some of the paintings Freedberg will be discussing are part of Nationalmuseum’s collection.

David Freedberg is Pierre Matisse Professor of the History of Art and Director of The Italian Academy for Advanced Studies in America.

Date: Tuesday 7 September at 6 pm
Place: The Auditorium, ground floor, Nationalmuseum
Admission: Free. No pre-bookings
 
David Freedberg's own words about the lecture:

"The great iconoclastic outbreaks of 1566 and 1585 in Antwerp not only resulted in the loss of a large number of major and minor art works; it also created a lack of confidence both among patrons and painters. The lacunae in our knowledge of painting between the death of Bruegel in 1569 and the return of Rubens from Italy in 1608 is perhaps just a further symptom of this decline. But the situation was not as negative as it may seem. The initial slowing of ecclesiastical patronage led to the flourishing of other genres, from portraiture to landscape and still life, thus contributing to the great flourishing of new genres in seventeenth century Holland.

 

 


In my dissertation of 1973 I surveyed some of the causes of these phenomena; in this paper I will discuss the most recent additions to our knowledge of this still little-known but exciting filed, in which art and society interact with dramatic results. I will examine not only a number of lesser known paintings, but also survey the vast amounts of new material that has become available in the field of printmaking. I will conclude with a discussion of the implications for the painting in an age of globalization.”

Tessin lectures in the past

2009
Michael Ann Holly: Painted Silence – Solitude, Study, Solace

2008
Elizabeth Cropper: Pamigianino's Antea – A perfect Beauty i Context

2007
Martin Kemp: Leonardo's Drawings and the Secret of Nature

2006
Thomas DaCosta Kaufmann: Golden Prague – From the Luxemburgs 
to the Habsburgs.


> Tipsa en vän